INDEX JOURNAL , Issue No. 5 Liquid Time

Grateful to be in the Last Documenta by Dan Perjovschi

Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image

These sketches were originally published by the documenta fifteen initiative Lumbung Press and have been generously contributed by Perjovschi. His series of drawings polemically map the controversies that unfolded across documenta’s 100 days.

Dan Perjovschi lives and works in Bucharest and Sibiu Romania. His solo exhibitions include Drawing the World, Ludwig Forum for International Art Aachen, 2021; The Prize Drawing, Kunsthalle Hamburg, 2016; Unframed, Kiasma, Helsinki, 2013; Not over, MACRO, Rome, 2011; What Happen to US?, MoMA, 2007; I am not Exotic I am Exhausted, Kunsthalle Basel, 2007, The Room Drawing, Tate Modern, 2006; May First, Moderna Museet Stockholm, 2006; and Naked Drawings, Ludwig Museum, Cologne, 2005. He has participated in numerous group exhibitions including documenta fifteen, 2022; Sao Paolo Biennial, 2014; Sydney Biennial, 2008; The Magelanic Cloud, Centre Pompidou, 2007; Venice Biennale, 2007; and the Ninth Istanbul Biennial, 2005. Perjovschi received the George Maciunas Prize in 2004, the European Cultural Foundation Prize in 2012 with Lia Perjovschi, and the Rosa Schapire Prize/Kunsthalle Hamburg in 2016.

Perjovschi is represented by Jane Lombard New York and Michel Rein Paris/Brussels.